{"id":55689,"date":"2026-03-16T14:48:49","date_gmt":"2026-03-16T18:48:49","guid":{"rendered":"https:\/\/marionnettes.quebec\/?post_type=evenement&p=55689"},"modified":"2026-03-17T14:18:25","modified_gmt":"2026-03-17T18:18:25","slug":"entrer-en-scene-2026","status":"publish","type":"evenement","link":"https:\/\/marionnettes.quebec\/en\/evenement\/entrer-en-scene-2026\/","title":{"rendered":"Entrer en sc\u00e8ne : production, financements publics et strat\u00e9gie web"},"content":{"rendered":"

Entrer <\/span>en <\/span>sc\u00e8ne : <\/span>production, <\/span>financements <\/span>publics <\/span>et <\/span>strat\u00e9gie <\/span>web<\/span><\/strong> est <\/span>une <\/span>formation <\/span>compos\u00e9e <\/span>de <\/span>trois <\/span>ateliers <\/span>compl\u00e9mentaires <\/span>qui <\/span>visent <\/span>\u00e0 <\/span>outiller <\/span>les <\/span>artistes <\/span>en <\/span>arts <\/span>de <\/span>la <\/span>marionnette <\/span>dans <\/span>le <\/span>d\u00e9veloppement, <\/span>la <\/span>production <\/span>et <\/span>la <\/span>diffusion <\/span>de <\/span>leurs <\/span>projets <\/span>artistiques.<\/span><\/p>\n

Le <\/span>premier <\/span>atelier, <\/span>Pr\u00e9sence <\/span>en <\/span>ligne <\/span>et <\/span>communications<\/span><\/strong>, <\/span>aborde <\/span>la <\/span>place <\/span>incontournable <\/span>d\u2019Internet <\/span>dans <\/span>la <\/span>pratique <\/span>artistique <\/span>actuelle. <\/span>Il <\/span>propose <\/span>de <\/span>repenser <\/span>les <\/span>r\u00e9seaux <\/span>sociaux <\/span>non <\/span>pas <\/span>comme <\/span>de <\/span>simples <\/span>outils <\/span>promotionnels, <\/span>mais <\/span>comme <\/span>de <\/span>v\u00e9ritables <\/span>espaces <\/span>de <\/span>cr\u00e9ation, <\/span>d\u2019\u00e9change <\/span>et <\/span>de <\/span>diffusion. <\/span>Les <\/span>participant\u00b7e\u00b7s <\/span>sont <\/span>invit\u00e9\u00b7e\u00b7s <\/span>\u00e0 <\/span>r\u00e9fl\u00e9chir <\/span>\u00e0 <\/span>la <\/span>mani\u00e8re <\/span>dont <\/span>leur <\/span>communaut\u00e9 <\/span>peut <\/span>prendre <\/span>part <\/span>au <\/span>processus <\/span>artistique, <\/span>\u00e0 <\/span>travers <\/span>le <\/span>partage <\/span>de <\/span>coulisses, <\/span>d\u2019extraits <\/span>ou <\/span>de <\/span>r\u00e9flexions. <\/span>L\u2019atelier <\/span>explore <\/span>aussi <\/span>le <\/span>fonctionnement <\/span>des <\/span>algorithmes, <\/span>les <\/span>codes <\/span>et <\/span>tendances <\/span>propres <\/span>aux <\/span>principales <\/span>plateformes (<\/span>Facebook, <\/span>Instagram, <\/span>TikTok <\/span>et <\/span>YouTube), <\/span>l\u2019analyse <\/span>des <\/span>statistiques, <\/span>ainsi <\/span>que <\/span>la <\/span>mise <\/span>en <\/span>place <\/span>d\u2019un <\/span>workflow <\/span>et <\/span>d\u2019une <\/span>strat\u00e9gie <\/span>de <\/span>contenu <\/span>permettant <\/span>de <\/span>structurer <\/span>sa <\/span>pr\u00e9sence <\/span>en <\/span>ligne.<\/span><\/p>\n

Le <\/span>deuxi\u00e8me <\/span>atelier, <\/span>Les <\/span>\u00e9tapes <\/span>de <\/span>production <\/span>d\u2019un <\/span>spectacle<\/span><\/strong>, <\/span>offre <\/span>un <\/span>aper\u00e7u <\/span>global <\/span>du <\/span>processus <\/span>de <\/span>cr\u00e9ation <\/span>d\u2019un <\/span>spectacle <\/span>de <\/span>marionnettes. <\/span>Il <\/span>pr\u00e9sente <\/span>les <\/span>diff\u00e9rentes <\/span>phases <\/span>qui <\/span>jalonnent <\/span>une <\/span>production, <\/span>de <\/span>la <\/span>recherche <\/span>et <\/span>de <\/span>l\u2019\u00e9criture <\/span>\u00e0 <\/span>la <\/span>diffusion <\/span>et <\/span>\u00e0 <\/span>la <\/span>tourn\u00e9e, <\/span>en <\/span>passant <\/span>par <\/span>la <\/span>mise <\/span>en <\/span>sc\u00e8ne, <\/span>la <\/span>conception <\/span>des <\/span>d\u00e9cors <\/span>et <\/span>des <\/span>marionnettes, <\/span>la <\/span>musique, <\/span>l\u2019\u00e9clairage <\/span>et <\/span>les <\/span>r\u00e9p\u00e9titions. <\/span>Cette <\/span>formation <\/span>permet <\/span>de <\/span>mieux <\/span>comprendre <\/span>l\u2019encha\u00eenement <\/span>des <\/span>\u00e9tapes <\/span>et <\/span>les <\/span>aspects <\/span>organisationnels <\/span>n\u00e9cessaires <\/span>pour <\/span>mener <\/span>un <\/span>projet <\/span>artistique <\/span>\u00e0 <\/span>terme.<\/span><\/p>\n

Enfin, <\/span>le <\/span>troisi\u00e8me <\/span>atelier, <\/span>R\u00e9daction <\/span>de <\/span>demandes <\/span>de <\/span>subvention<\/span><\/strong>, <\/span>se <\/span>concentre <\/span>sur <\/span>le <\/span>financement <\/span>public <\/span>des <\/span>projets <\/span>artistiques. <\/span>Les <\/span>participant\u00b7e\u00b7s <\/span>y <\/span>d\u00e9couvrent <\/span>le <\/span>fonctionnement <\/span>des <\/span>conseils <\/span>des <\/span>arts <\/span>aux <\/span>niveaux <\/span>f\u00e9d\u00e9ral, <\/span>provincial <\/span>et <\/span>municipal, <\/span>leurs <\/span>programmes <\/span>et <\/span>leurs <\/span>processus <\/span>d\u2019\u00e9valuation. <\/span>La <\/span>formation <\/span>propose <\/span>\u00e9galement <\/span>des <\/span>outils <\/span>pratiques <\/span>pour <\/span>r\u00e9diger <\/span>des <\/span>demandes <\/span>de <\/span>subvention <\/span>efficaces, <\/span>pr\u00e9parer <\/span>des <\/span>budgets <\/span>et <\/span>d\u00e9velopper <\/span>une <\/span>strat\u00e9gie <\/span>de <\/span>financement <\/span>coh\u00e9rente <\/span>avec <\/span>le <\/span>calendrier <\/span>de <\/span>production <\/span>artistique.<\/span><\/p>\n

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Formateurs<\/strong><\/h3>\n

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\"\"<\/p>\n

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J\u00e9r\u00e9mie Larouche<\/b><\/p>\n

J\u00e9r\u00e9mie Larouche est humoriste, animateur t\u00e9l\u00e9 et enseigne la cr\u00e9ation num\u00e9rique sur les r\u00e9seaux sociaux \u00e0 l’\u00c9cole nationale de l’humour. Il cumule de nombreuses nominations pour son travail aux galas Prix G\u00e9meaux et au Gala les Olivier. Bon, il n’a rien gagn\u00e9 sauf LE PRIX DES LIBRAIRES 2024 pour un recueil collectif de nouvelles. Depuis une d\u00e9cennie, il a auto-produit trois spectacles de marionnettes pour adultes o\u00f9 il parodie des univers iconiques de la culture populaire : Star Wars, Harry Potter et Batman. Cumulant plus de 150 repr\u00e9sentations, son th\u00e9\u00e2tre de papier irr\u00e9v\u00e9rencieux questionne, commente et c\u00e9l\u00e8bre des figures contemporaines importantes mais surtout, initie le public \u00e0 la pratique marionnettique.\u00a0<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Anne Lalancette<\/b><\/p>\n

Marionnettiste depuis plus de 20 ans, Anne Lalancette travaille tout autant pour le th\u00e9\u00e2tre (Th\u00e9\u00e2tre Motus, Th\u00e9\u00e2tre de l’oeil, The Old Trout Puppet Workshop), l’industrie musicale (Kid Koala, Socalled, Daniel B\u00e9langer), le cin\u00e9ma (Sale Gueule, From Naughty to Nice, Riddick) et la t\u00e9l\u00e9vision (Passe-Partout, Marc-En-Peluche, Les Hipaloulas). Elle est la directrice artistique et co-fondatrice du collectif La ru\u00e9e vers l’or, sp\u00e9cialis\u00e9 dans la cr\u00e9ation de spectacles de marionnettes de table, musique et bruitage en direct, pour lequel elle a \u00e9crit, mis en sc\u00e8ne et produit les spectacles Pommes de route, Racontars arctiques et prochainement Klondike. Elle enseigne \u00e9galement le jeu marionnettique \u00e0 l’UQ\u00c0M au DESS en th\u00e9\u00e2tre de marionnettes contemporain.<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Charlie Julien<\/b><\/p>\n

Charlie Julien est titulaire d\u2019un DESS en gestion d\u2019organismes culturels de HEC Montr\u00e9al et d\u2019un baccalaur\u00e9at en art dramatique (profil \u00e9tudes th\u00e9\u00e2trales) de l\u2019UQAM. Actif dans le milieu des arts et de la culture depuis plus de 10 ans, il a collabor\u00e9 avec Les Filles \u00e9lectriques, le Festival Ph\u00e9nomena, le Conseil qu\u00e9b\u00e9cois du th\u00e9\u00e2tre (CQT), l\u2019Association qu\u00e9b\u00e9coise des marionnettistes (AQM) et divers festivals. Gestionnaire culturel \u00e0 son compte depuis 2021, il accompagne artistes et organismes en financement, administration et d\u00e9veloppement. Il a r\u00e9dig\u00e9 ou r\u00e9vis\u00e9 plus de 100 demandes de subvention et si\u00e8ge au comit\u00e9 d\u2019\u00e9valuation Pratiques artistiques non disciplinaires du Conseil des arts de Montr\u00e9al depuis 2023.<\/span>
\n<\/span><\/p>\n

 <\/p>\n

\n

 <\/p>\n

Modalit\u00e9s et informations suppl\u00e9mentaires<\/strong><\/p>\n

\ud83d\udc49\u00a0<\/span><\/span>Pour vous inscrire, vous n\u2019avez qu\u2019\u00e0 remplir le\u00a0formulaire d\u2019inscription<\/a>.<\/p>\n

\u00c0 la r\u00e9ception, l\u2019AQM confirmera l\u2019admissibilit\u00e9 des participant\u00b7e\u00b7s et vous enverra les modalit\u00e9s de paiement. La politique de remboursement et d\u2019annulation d\u2019une inscription ainsi que les crit\u00e8res d\u2019admissibilit\u00e9 sont disponibles\u00a0en ligne<\/span><\/a>.<\/p>\n

Informations compl\u00e9mentaires :\u00a0Yana KM<\/strong>, 514-270-2717 poste 3,\u00a0formations@aqm.ca<\/span><\/a><\/p>\n

 <\/p>\n

Merci \u00e0 notre partenaire financier !<\/strong><\/p>\n

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